The house, as the location for the construction of identity, as the domestic site in which relationships and desires are shaped, is a theme that Monica Bonvicini has been exploring since the early 1990s in works such as Hausfrau Swinging and Wallfuckin’. Destruction, natural disaster and climate crisis have been on her mind since the 1992 photo series Where Air Dwells, and over the last 15 years in her series of large black and white drawings, Hurricanes and other Catastrophes. Monica Bonvicini's exhibition for Kunsthaus Graz is centred on themes that lie at the core of the artist’s research: an examination of architecture, literature and the construction of sexual and gender identity.