Jacqueline Humphries: jHΩ1:)
wexner center for the arts, Columbus
Sep 18, 2021 – Jan 02, 2022
suddenly, one could be just like the other
Collection Satellite #6
Kaiser Wilhelm Museum, Krefeld
Nov 12, 2020 – Oct 24, 2021
Aspen Art Museum, August 5th
Stephen Prina will stage a special performance of his 1976 composition String Quartet for Six Players, which takes as a starting point Mozart’s String Quartet No. 15 in D minor, albeit conceptually rearranged. Using chance as a guiding compositional principle, the work is performed in response to the throwing of a die. Musical performers are from the Aspen Music Festival and School.
Please register here
Watch the video
Monday 19 July, 5-8pm
edited by Fredi Fischli, Niels Olsen, Adam Jasper
Shopping is history, in both senses of the word. As shopping shifts online and the economic shocks associated with the COVID-19 pandemic push bankruptcies to unprecedented levels, retail is facing its own version of the end of days. Retail Apocalypse presents a compendium of case studies, interventions, and object lessons rescued from the bonfire of retail culture. It ranges from Friedrich Kiesler’s display windows to Gae Aulenti’s Fiat showrooms, from J. G. Ballard’s dystopian fantasies to TELFAR’s critical utopias, from Rem Koolhaas to Herzog & de Meuron.
organized by Kunsthalle Bielefeld
30 June 2021
Both Konstantin Grcic and Jorge Pardo are internationally renowned for their chairs, lamps and other furnishings.
While Grcic creates designs that are produced in series Pardo introduces his designs into the art space as works of art. Design and art are connected with different expectations and functions. In conversation with Konstantin Grcic and Jorge Pardo, Christina Végh will address the role and significance, as well as the interactions, of the fields for their respective practices. Please register.
The installation series entitled Possible Music (2018) is an ongoing work developed in collaboration with NESS who have developed a pioneering code-driven software that generates sound with virtual instruments, making it possible for Young to compose music for instruments that cannot exist in reality.
Possible Music #2 (2019) is a 16-channel sound installation of short compositions performed by virtual instruments that make reference to military “signal calls”—short tunes (typically performed on the trumpet) that announce changes in daily routines in a military camp or on a battlefield—with titles like Attention Call, Fatigue Call, Assembly Call, Fantasy Call #1, and Sick Call.
This four-volume set of publications focuses on Christopher Williams‘ theatrical work Stage Play, first presented in 2017 at Miller’s Studio in Zürich. Housed in a slipcase, it contains documentation and the playscript for his eponymous play, related publicity and research documents, the artist’s series of open letters, and a related interview he conducted with historian Markus Krajewski on the ceramic tile façades of post-war architecture in Cologne. In addition to two critical essays by McDonough, this publication is largest collection to date of Williams‘ writing.